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Kate Bush
Kate Bush


Информация
Настоящее имя Catherine Bush
Дата рождения 30 июля 1958 г.
Место рождения Bexleyheath, London, England
Жанры Art Rock
Progressive Rock
Alternative Rock
Годы 1975—н.в.
Лейблы Columbia Records
EMI Group
Legacy Recordings
Сайт Website



Music World  →  Тексты песен  →  K  →  Kate Bush  →  Дискография  →  The Single File

Альбом Kate Bush


The Single File (1984)
1984
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Dreamtime
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. . .



Out on the wiley, windy moors
We'd roll and fall in green.
You had a temper like my jealousy:
Too hot, too greedy.
How could you leave me,
When I needed to possess you?
I hated you. I loved you, too.

Bad dreams in the night.
They told me I was going to lose the fight,
Leave behind my wuthering, wuthering
Wuthering Heights.

Heathcliff, it's me--Cathy.
Come home. I'm so cold!
Let me in-a-your window.

Heathcliff, it's me--Cathy.
Come home. I'm so cold!
Let me in-a-your window.

Ooh, it gets dark! It gets lonely,
On the other side from you.
I pine a lot. I find the lot
Falls through without you.
I'm coming back, love.
Cruel Heathcliff, my one dream,
My only master.

Too long I roam in the night.
I'm coming back to his side, to put it right.
I'm coming home to wuthering, wuthering,
Wuthering Heights,

Heathcliff, it's me--Cathy.
Come home. I'm so cold!
Let me in-a-your window.

Heathcliff, it's me--Cathy.
Come home. I'm so cold!
Let me in-a-your window.

Ooh! Let me have it.
Let me grab your soul away.
Ooh! Let me have it.
Let me grab your soul away.
You know it's me--Cathy!

Heathcliff, it's me--Cathy.
Come home. I'm so cold!
Let me in-a-your window.

Heathcliff, it's me--Cathy.
Come home. I'm so cold!
Let me in-a-your window.

Heathcliff, it's me--Cathy.

. . .



"Come up and be a kite"

Beelzebub is aching in my belly-o.
My feet are heavy and I'm rooted in my wellios.
And I want to get away and go
From all these mirror windows.

I look at eye level, it isn't good enough.
And then I find it out when I take a good look up.
There's a hole in the sky with a big eyeball
Calling me:

"Come up and be a kite,
Anf fly a diamond flight!
A diamond kite, a diamond kite.
Ooh, what a diamond!

"A diamond kite
On a diamond flight.
Over the lights, under the moon.
Over the lights, under the moon.
Over the moon, over the moon!"

"Come up and be a kite"

I feel a rush along my body, like a bullet.
I'm 2-D after a push-and-pull feeling.
And I want to get back to safe home:
I love the homeland dome.*

I got no limbs, I'm like a feather on the wind.
Well, I'm not sure if I want to be up here, at all.
And I'd like to be back on the ground,
But I don't know how to get down--down--down!

"Come up and be a kite,
On a diamond flight!
A diamond kite, a diamond kite.
Ooh, what a diamond!

"A diamond kite
On a diamond flight.
Over the lights, under the moon.
Over the lights, under the moon.
Over the moon, over the moon!"
"Come up and be a kite”

. . .



("He's here! He's here!
He's here! He's here!")

I hear him, before I go to sleep
And focus on the day that's been.
I realise he's there,
When I turn the light off and turn over.

Nobody knows about my man.
They think he's lost on some horizon.
And suddenly I find myself
Listening to a man I've never known before,

Telling me about the sea,
All his love, 'til eternity.

Ooh, he's here again,
The man with the child in his eyes.
Ooh, he's here again,
The man with the child in his eyes.

He's very understanding,
And he's so aware of all my situations.
And when I stay up late,
He's always waiting, but I feel him hesitate.

Oh, I'm so worried about my love.
They say, "No, no, it won't last forever."
And here I am again, my girl,
Wondering what on Earth I'm doing here.
Maybe he doesn't love me.
I just took a trip on my love for him.

Ooh, he's here again,
The man with the child in his eyes.
Ooh, he's here again,

. . .



Moving stranger,
Does it really matter,
As long as you're not afraid to feel?
Touch me, hold me.
How my open arms ache!
Try to fall for me.

How I'm moved.
How you move me
With your beauty's potency.
You give me life.
Please don't let me go.
You crush the lily in my soul.

Moving liquid
Yes, you are just as water.
You flow around all that comes in your way.
Don't think it over,
It always takes you over,
And sets your spirit dancing.

How I'm moved.
How you move me
With your beauty's potency.
You give me life.
Please don't let me go.

. . .



You stood in the belltower,
But now you're gone.
So who knows all the sights
Of Notre Dame?

They've got the stars for the gallant hearts.
I'm the replacement for your part.
But all I want to do is forget
You, friend.

Hammer Horror, Hammer Horror,
Won't leave me alone.
The first time in my life,
I leave the lights on
To ease my soul.
Hammer Horror, Hammer Horror,
Won't leave it alone.
I don't know,
Is this the right thing to do?

Rehearsing in your things,
I feel guilty.
And retracing all the scenes,
Of your big hit,
Oh, God, you needed the leading role.
It wasn't me who made you go, though.
Now all I want to do is forget
You, friend.

Hammer Horror, Hammer Horror,
Won't leave me alone.
The first time in my life,
I leave the lights on
To ease my soul.
Hammer Horror, Hammer Horror,
Won't leave it alone.
I don't know,
Is this the right thing to do?

Who calls me from the other side
Of the street?
And who taps me on the shoulder?
I turn around, but you're gone.

I've got a hunch that you're following,
To get your own back on me.
So all I want to do is forget
You, friend.

Hammer Horror, Hammer Horror,
Won't leave me alone.
The first time in my life,
I leave the lights on
To ease my soul.
Hammer Horror, Hammer Horror,
Won't leave it alone.
I don't know,

. . .



Down in the cellar
You're getting into making poison.
You slipped some on the side,
Into my glass of wine,
And I don't want any coffee homeground.

Offer me a chocolate,
No thank you, spoil my diet, know your game!
Tell me just how come
They smell of bitter almonds?
It's a no-no to your coffee homeground.

Pictures of Crippin
Lipstick-smeared.
Torn wallpaper.
Have the walls got ears here?

Well, you won't get me with your Belladonna, in the coffee,
And you won't get me with your arsenic, in the pot of tea,
And you won't get me in a hole to rot, with your hemlock
On the rocks.


Where are the plumbers
Who went a-missing here on Monday?
There was a tall man
With his companion,
And I bet you gave them coffee homeground.

Maybe you're lonely,
And only want a little company,
But keep your recipes
For the rats to eat,
And may they rest in peace with coffee homeground.

Pictures of Crippin
Lipstick-smeared.
Torn wallpaper.
Have the walls got ears here?

Well, you won't get me with your Belladonna, in the coffee,
And you won't get me with your arsenic, in the pot of tea,
And you won't put me in a six-foot plot, with your hemlock
On the rocks.

With your hemlock on the rocks.

"Noch ein Glas, mein Liebchen?" {Another glass my dear?}

With your hemlock on the rocks.
With your hemlock on the rocks.

"Es schmeckt wunderbar!" {It tastes wonderful!}

With your hemlock on the rocks.

"Dann sterb' ich wohl!" {Then I will die!}

With your hemlock on the rocks.
With your hemlock on the rocks.
With your hemlock on the rocks.

. . .



Emily...

We're all alone on the stage tonight.
We've been told we're not afraid of you.
We know all our lines so well, uh-huh.
We've said them so many times:
Time and time again,
Line and line again.

Ooh, yeah, you're amazing!
We think you're incredible.
You say we're fantastic,
But still we don't head the bill.

Wow! Wow! Wow! Wow! Wow! Wow! Unbelievable!
Wow! Wow! Wow! Wow! Wow! Wow! Unbelievable!

When the actor reaches his death,
You know it's not for real. He just holds his breath.
But he always dives too soon, too fast to save himself.

He'll never make the screen.
He'll never make the 'Sweeney',
Be that movie queen.
He's too busy hitting the vaseline.

Ooh, yeah, you're amazing!
We think you are really cool.
We'd give you a part, my love,
But you'd have to play the fool.

Wow! Wow! Wow! Wow! Wow! Wow! Unbelievable!
Wow! Wow! Wow! Wow! Wow! Wow! Unbelievable!

We're all alone on the stage tonight.
We're all alone,
On the stage,

. . .



Driving back in her car.
Watching the wipers
Squashing the leaves away.
Suddenly there in the road
Is your old self,
Trying to get out of the rain.

I am my enemy
Mowing me over,
And towing the light away.
Somehow it just seems to fit
With that old me,
Trying to get back again.

Imagination sets in.
Then all the voices begin.
Telling you things that aren't happening.
(But they nig and they nag, 'til they're under your skin.)

(You've really got to)
Remember yourself.
You've got a Full House in your head tonight
(You've got to, you've got to)
Remember yourself.
Stand back and see emotion getting you uptight.

My silly pride
Digging the knife in.
She loves to come for her ride.
Surely by now I should know
I can control
My highs and my lows

By questioning all that I do,
Examining every move,
Trying to get back to the rudiments.
(If they nig and they nag, I'll just put in the boot.)

(You've really got to)
Remember yourself.
You've got a Full House in your head tonight
(You've got to, you've got to)
Remember yourself.
Stand back and see emotion getting you uptight.

Remember yourself.
You've got a Full House in your head tonight
(You've got to, you've got to)
Remember yourself.

. . .



Rolling the ball, rolling the ball, rolling the ball to me.
Rolling the ball, rolling the ball, rolling the ball to me.

They arrived at an inconvenient time.
I was hiding in a room in my mind.
They made me look at myself. I saw it well.
I'd shut the people out of my life.

So now I take the opportunities:
Wonderful teachers ready to teach me.
I must work on my mind. For now I realise:
Everyone of us has a heaven inside.

Them heavy people hit me in a soft spot.
Them heavy people help me.
Them heavy people hit me in a soft spot.
Rolling the ball, rolling the ball, rolling the ball to me.

They open doorways that I thought were shut for good.
They read me Gurdjieff and Jesu.
They build up my body, break me emotionally.
It's nearly killing me, but what a lovely feeling!

I love the whirling of the dervishes.
I love the beauty of rare innocence.
You don't need no crystal ball,
Don't fall for a magic wand.
We humans got it all, we perform the miracles.

Them heavy people hit me in a soft spot.
Them heavy people help me.
Them heavy people hit me in a soft spot.
Rolling the ball, rolling the ball, rolling the ball to me.
Rolling the ball, rolling the ball, rolling the ball to me.

. . .



Emma's come down.
She's stopped the light
Shining out of her eyes.

Emma's been run out on.
She's breaking down
In so many places,
Stuck in low gear
Because of her fears

Of the skidding wheels,
(The skid of her wheels she feels.)
Skidding wheels,
(The skid of her wheels she feels.)
Spinning wheels.
(Wheel-skidding feeling.)

Her heart is there,
But they've greased the road.
Her heart is out there,
But she's no control.

Oh, come on, you've got to use your flow.
You know what it's like, and you know you want to go.
Don't drive too slowly.
Don't put your blues where your shoes should be.
Don't put your foot on the heartbrake.

(She's losing, she's losing, she's losing, she's losing...)

She's losing that inner flame.
It was burning bright,
But she's losing the light fast.

She's only herself to blame.
Well, take care of yourself,
And remember Georgie.
But she's so O.D.'d on weeping
She can harDLy see

That she's dropping beads.
(Red, red glass is bleeding.)
Dropping beads.
(Red, red glass is bleeding.)
Dropping beads.
(Red, red on the parquet.)

Her heart is there,
But they've greased the road.
Her heart is out there,
But she's no control.

Oh, come on, you've got to use your flow.
You know what it's like, and you know you want to go.
Don't drive too slowly.
Don't put your blues where your shoes should be.

. . .



James, come on home.
You've been gone too long, baby.
We can't let our hero
Die alone.

We miss you day and night.
You left town to live by the rifle.
You left us to fight,
But it just ain't right to take away the light.

Remember Genie from the casino?
She's still a-waiting in that big brass bed.
The boys from your gang are knocking whisky back,
'Til they get out of hand and wish they were dead.
They're only lonely for the life that they led
With their old friend.

Ooh, James, are you selling your soul to a cold gun?
Selling your soul to a
Ooh, James, are you selling your soul to a cold gun?

Where lies your heart?
It's not there in the buckskin, baby.
It's not there in the gin
That makes you laugh long and loud.

You're a coward, James.
You're running away from humanity.
You're running away from reality.
It won't be funny when they rat-a-tat-tat you down.

Remember Genie from the casino?
She's still a-waiting in that big brass bed.
The boys from your gang are knocking whisky back,
'Til they get out of hand and wish they were dead.
They're only lonely for the life that they led
With their old friend.

Ooh, James, are you selling your soul to a cold gun?
Selling your soul to a

. . .



You came out of the night,
Wearing a mask in white colour.
My eyes were shining
On the wine, and your aura.
All in order, we move into the boudoir,
But too soon the morning has resumed.

I'm hanging on the Old Goose Moon.
You look like an angel,
Sleeping it off at a station.
Were you only passing through?

I'm dying for you just to touch me,
And feel all the energy rushing right up-a-me.
L'amour looks something like you.

The thought of you sends me shivery.
I'm dressed in lace, sailing down a black reverie.
My heart is thrown
To the pebbles and the boatmen.
All the time I find I'm living in that evening,
With that feeling of sticky love inside.

I'm hanging on the Old Goose Moon.
You look like an angel,
Sleeping it off at a station.
Were you only passing through?

I'm dying for you just to touch me,
And feel all the energy rushing right up-a-me.

. . .



Outside
Gets inside
Through her skin.
I've been out before
But this time it's much safer in.

Last night in the sky,
Such a bright light.
My radar send me danger
But my instincts tell me to keep

Breathing,
("Out, in, out, in, out, in...")
Breathing,
Breathing my mother in,
Breathing my beloved in,
Breathing,
Breathing her nicotine,
Breathing,
Breathing the fall-out in,
Out in, out in, out in, out in.

We've lost our chance.
We're the first and the last, ooh,
After the blast.
Chips of Plutonium
Are twinkling in every lung.

I love my
Beloved, ooh,
All and everywhere,
Only the fools blew it.
You and me
Knew life itself is

Breathing,
("Out, in, out, in, out...")
Breathing,
Breathing my mother in,
Breathing my beloved in,
Breathing,
Breathing her nicotine,
Breathing,
Breathing the fall-out in,
Out in, out in, out in, out in,
Out in, out in, out in, out...
("Out!")

"In point of fact it is possible to tell the
("Out!")
difference between a small nuclear explosion and
a large one by a very simple method. The calling
card of a nuclear bomb is the blinding flash that
is far more dazzling than any light on earth--brighter
even than the sun itself--and it is by the duration
of this flash that we are able to determine the size
("What are we going to do without?")
of the weapon. After the flash a fireball can be
seen to rise, sucking up under it the debris, dust
and living things around the area of the explosion,
and as this ascends, it soon becomes recognisable
as the familiar "mushroom cloud". As a demonstration
of the flash duration test let's try and count the
number of seconds for the flash emitted by a very
small bomb; then a more substantial, medium-sized
bomb; and finally, one of our very powerful,
"high-yield" bombs

"What are we going to do without?"
Ooh please!
"What are we going to do without?"
Let me breathe!
"What are we going to do without?"
Ooh, Quick!
"We are all going to die without!"
Breathe in deep!
"What are we going to die without?"
Leave me something to breathe!
"We are all going to die without!"
Oh, leave me something to breathe!
"What are we going to do without?"
Oh, God, please leave us something to breathe!"
"We are all going to die without

. . .


B-side to Breathing single
Written by Kate Bush

Disappears through a window.
Out of my mind
Trying to keep him at home.
Out into Rome
In the early hours,
Leaving me here
Like Tamlaine in her Tower.
You are going
To the empty bullring,
Taking your red cloak
To regain something.

Oh, you rolling matador,
Kill in your eyes
For the toro
That shut the door
To glory and gore.
The throw of the rose--
It's all you lived for,
But you've lost it all.

Your red streak
On the plot where many feet
Left it incomplete.
But you kept the meaning.
You feel him charge again,
And you feel him cut you down
Right on the spot
Where you thought
You were ground for good.
These flights of fantasy
Make your wounds more sore,
But you've every right
To even grab at the last straw.
Oh, Lord...

Oh, you rolling matador,
Kill in your eyes
For the toro
That shut the door
To glory and gore.
The throw of the rose--
It's all you lived for,

. . .



She wanted to test her husband.
She knew exactly what to do:
A pseudonym to fool him.
She couldn't have made a worse move.

She sent him scented letters,
And he received them with a strange delight.
Just like his wife
But how she was before the tears,
And how she was before the years flew by,
And how she was when she was beautiful.
She signed the letter

"All yours,
Babooshka, Babooshka, Babooshka-ya-ya!
All yours,
Babooshka, Babooshka, Babooshka-ya-ya!"

She wanted to take it further,
So she arranged a place to go,
To see if he
Would fall for her incognito.
And when he laid eyes on her,
He got the feeling they had met before.
Uncanny how she
Reminds him of his little lady,
Capacity to give him all he needs,
Just like his wife before she freezed on him,
Just like his wife when she was beautiful.
He shouted out, "I'm

All yours,
Babooshka, Babooshka, Babooshka-ya-ya!
All yours,
Babooshka, Babooshka, Babooshka-ya-ya!
All yours,

. . .


(original title, The Ran Tan)
B-side of Babooshka single
Written by Kate Bush

Where is she
When the little thing cries?
She lies in a bed
With a friend of mine.
But some nights
She'll run back in fright
If she picks on a dick
That's too big for her pride.

Oh! Oh!
Why did I ever go marry her?
I was a child!
I'm holding the baby,
She's ran-tanning constantly.
She saw me coming for miles.
She saw me open wide.

Four o'clock
And the key's in the lock.
And she's been on the win [The word might be "wing".]
And she's stinking of drink.
Wakes the kid,
So I put him to sleep,
And she's in there all night,
Doubled over the sink.

Oh! Oh!
Why did I ever go marry her?
I was a child!
I'm holding the baby,
She's ran-tanning constantly.
She saw me coming for miles.
She saw me open wide.
Open wide.

. . .



"B.F.P.O.*"
Army dreamers.
"Mammy's hero."
"B.F.P.O."
"Mammy's hero."

Our little army boy
Is coming home from B.F.P.O.
I've a bunch of purple flowers
To decorate a mammy's hero.

Mourning in the aerodrome,
The weather warmer, he is colder.
Four men in uniform
To carry home my little soldier.

"What could he do?
Should have been a rock star."
But he didn't have the money for a guitar.
"What could he do?
Should have been a politician."
But he never had a proper education.
"What could he do?
Should have been a father."
But he never even made it to his twenties.
What a waste --
Army dreamers.
Ooh, what a waste of
Army dreamers.

Tears o'er a tin box.
Oh, Jesus Christ, he wasn't to know,
Like a chicken with a fox,
He couldn't win the war with ego.

Give the kid the pick of pips,
And give him all your stripes and ribbons.
Now he's sitting in his hole,
He might as well have buttons and bows.

"What could he do?
Should have been a rock star."
But he didn't have the money for a guitar.
"What could he do?
Should have been a politician."
But he never had a proper education.
"What could he do?
Should have been a father."
But he never even made it to his twenties.
What a waste --
Army dreamers.
Ooh, what a waste of
Army dreamers.
Ooh, what a waste of all that
Army dreamers,
Army dreamers,
Army dreamers, oh...

("B.F.P.O.")
Did-n-did-n-did-n-dum...
Army dreamers.
Did-n-did-n-did-n-dum...
("Mammy's hero.")
("B.F.P.O.")
Army Dreamers.
("Mammy's hero.")
("B.F.P.O.")
No harm heroes.
("Mammy's hero.")
("B.F.P.O.")
Army dreamers.
("Mammy's hero.")
("B.F.P.O.")
No harm heroes.


. . .



Ooh, he's a moody old man.
Song of summer in his hand.
Ooh, he's a moody old man.
...in...in...in his hand.
...in his hand.

"Hmm."

Ooh, ah, ooh, ah,
Delius,
Delius amat.
Syphilus,
Deus,
Genius, ooh.

To be sung of a summer night on the water.
Ooh, on the water.

"Ta, ta-ta!
Hmm.
Ta, ta-ta!
In B, Fenby!"

To be sung of a summer night on the water
Ooh, on the water.

. . .


B-side of Army Dreamers single
Written by Kate Bush

Passing through air.
You mix the stars with your arms.
Walking through there.
The doom of eternity balms.
Skies of grey are not today.

Oh! Don't you throw my love away,
I need your loving, I need your loving.
Oh! Don't you pour down rain today,
I need your love, I need your care
So much, so much, so much!

Laughing through smiles.
You lick my love with the years.
Walking for miles.
You cool my brow with your tears.
Skies of grey are not today.

Oh! Don't you throw my love away,
I need your loving, I need your loving.
Oh! Don't you pour down rain today,
I need your love, I need your care
So much, so much, so much!

Oh! Don't you throw my love away,
I need your loving, I need your loving.
Oh! Don't you pour down rain today,
I need your loving, I need your loving.

Oh! Don't you throw my love away,
I need your loving, I need your loving.
Oh! Don't you pour down rain today,

. . .


Written by Kate Bush

December will be magic again.
Take a husky to the ice
While Bing Crosby sings White Christmas. He makes you feel nice.
December will be magic again.
Old Saint Nicholas up the chimney,
Just a-popping up in my memory.

Ooh, dropping down in my parachute,
The white city, she is so beautiful
Upon the black-soot icicled roofs,
Ooh, and see how I fall.
See how I fall
("Fall!") [backwards]
Like the snow.

Come to cover the lovers.
(Cover the lovers,
But don't you wake them up.)
Come to sparkle the dark up.
(Sparkle the dark up,
With just a touch of make-up.)
Come to cover the muck up.
(Cover the muck up,
Ooh, with a little luck.)

December will be magic again.
Light the canDLe-lights
To conjure Mr. Wilde
Into the Silent Night.
Ooh, it's quiet inside,
Here in Oscar's mind.

December will be magic again.
Don't miss the brightest star.
Kiss under mistletoe.
I want to hear you laugh.
Don't let the mystery go now.

Ooh, dropping down in my parachute,
The white city, she is so beautiful
Upon the black-soot icicled roofs,
Ooh, and see how I fall.
See how I fall
("Fall!") [backwards]
Like the snow.

Come to cover the lovers.
(Cover the lovers,
But don't you wake them up.)
Come to sparkle the dark up.
(Sparkle the dark up,
With just a touch of make-up.)
Come to cover the muck up
(Cover the muck up,
Ooh, with a little luck.)

Oh, I'm coming to cover the lovers.
Ooh, and I'm coming to sparkle the dark up.

. . .


B-side to "December Will Be Magic Again" single
Written by Kate Bush

Warm and soothing,
That's how I remember home.
Walking into arms
Through the back door.
Hearing voices I know well,
And long for.

Cold and boozy,
Our holiday in the Alps.
Sitting in the lobby,
Mostly smoking.
Choking on the woozy afternoon.

I'm reeling in the music
And I've only had a few.
And I'm afraid
By the way we grow old,
My darling.

Abrupt, too moody,
You making our party list.
I remember sulking
On the sofa.
For most of the winter
We were strangers.

Just one more
To ease the ache,
Before the night takes me.
When you stay asleep
On your side of the bed,
Don't look at me,
Don't look at you...

I'm reeling in the music
And I've only had a few.
And I'm afraid
By the way we grow old,

. . .



I see the people working,
And see it working for them.
And so I want to join in,
But then I find it hurts me.

Some say that knowledge is something sat in your lap.
Some say that knowledge is something that you never have.

I see the people happy,
So can it happen for me?
'Cause when I am unhappy,
There's nothing that can move me.

Some say that knowledge is something that you never have.
Some say that knowledge is something sat in your lap.
Some say that heaven is hell.
Some say that hell is heaven.

I must admit, just when I think I'm king,
(I just begin.)
Just when I think I'm king, I must admit,
(I just begin.)
Just when I think I'm king,
(I just begin.)

I've been doing it for years.
My goal is moving near.
It says, "Look! I'm over here."
Then it up and disappears.

Some say that knowledge is something sat in your lap.
Some say that knowledge is ho-ho-ho-ho.

I want to be a lawyer.
I want to be a scholar.
But I really can't be bothered.
Ooh, just gimme it quick, gimme it, gimme gimme gimme gimme!

Some say that knowledge is ho ho ho.
Some say that knowledge is ho ho ho.
Some say that heaven is hell.
Some say that hell is heaven.

I must admit, just when I think I'm king,
(I just begin.)
Just when I think I'm king, I must admit,
(I just begin.)
Just when I think everything's going great,
(I just begin,)
Hey, I get the break,
Hey, I'm gonna take it all--
(I just begin.)
When I'm king--
(-- just begin.)

In my dome of ivory,
A home of activity,
I want the answers quickly,
But I don't have no energy.

I hold a cup of wisdom,
But there is nothing within.
My cup, she never overfloweth,
And 'tis I that moan- and groaneth.

Some grey and white matter,
"Give me the karma, mama!"
I'm coming up the ladder,
"A jet to Mecca,"
I'm coming up the ladder,
"Tibet or Jeddah,
Up the ladder...
"To Salisbury,
A monastery,
The longest journey,
Across the desert,
Across the weather,
Across the elements,

. . .


B-side of Sat In Your Lap single
Written by Donovan Leitch

I fell in love with a swan.
My eyes were filled with feathers,
He filled me with song,
In the reedy river,
In the reedy river.

I in my boat long hours,
He in his royal plumage--
I threw him some flowers,
In the reedy river,
In the reedy river.

Black was the night and starry.
I loosened off my garments
And let forth my hair,*
In the reedy river,
In the reedy river.

Sadly we mourned and sighed,
Whilst in evening twilight
Two swans glide and fly
In the reedy river,
In the reedy river,
("Two swans glide and fly")
In the reedy river.
("Two swans glide and fly")

I fell in love with a swan...

. . .



'Bang!' goes another kanga
On the bonnet of the van.
"See the light ram through the gaps in the land."
Many an Aborigine's mistaken for a tree
'Til you near him on the motorway
And the tree begin to breathe.
"See the light ram through the gaps in the land."

("Ha-ha-ha-ha-ha-ha")

Coming in with the golden light
In the morning.
Coming in with the golden light
Is the New Man.
Coming in with the golden light
Is my dented van.

Woomera.

"Dree-ee-ee-ee-ee-
A-a-a-a-a-
M-m-m-m-m-
Ti-ti-ti-ti-ti-
I-i-i-i-i-
Me-me-me-me-me,"

"Dree-ee-ee-ee-ee-"
Woomera.
"A-a-a-a-a-
M-m-m-m-m-
Ti-ti-ti-ti-ti-
I-i-i-i-i-
Me-me-me-me-me.

"Dree-ee-ee-ee-ee-
A-a-a-a-a-
M-m-m-m-m-
Ti-ti-ti-ti-ti-"

The civilised keep alive
The territorial war.
"See the light ram through the gaps in the land."
Erase the race that claim the place
And say we dig for ore,
Or dangle devils in a bottle
And push them from the Pull of the Bush.
"See the light ram through the gaps in the land."
You find them in the road.
"See the light bounce off the rocks to the sand."
In the road.

Coming in with the golden light
In the morning.
Coming in with the golden light
With no warning.
Coming in with the golden light
We bring in the rigging.
Dig, dig, dig, dig away.

"Dree-ee-ee-ee-ee-
A-a-a-a-a-
M-m-m-m-m-
Ti-ti-ti-ti-ti-
I-i-i-i-i-
Me-me-me-me-me,"

"Dree-ee-ee-ee-ee-"
Woomera.
"A-a-a-a-a-
M-m-m-m-m-
Ti-ti-ti-ti-ti-
I-i-i-i-i-
Me-me-me,"

"Dree-ee-ee-ee-ee-
A-a-a-a-a-
M-m-m-m-m-"
Woomera.
"Ti-ti-ti-ti-ti-
I-i-i-i-i-
Me-me-me-me-me,"

"Dree-ee-ee-ee-ee-
A-a-a-a-a-
M-m-m-m-m-
Ti-ti-ti-ti-ti-
I-i-i-i-i-"
Woomera.
"Me-me-me-me-me."

Ma-ma-many an Aborigine's mistaken for a tree
("La, la, oo-ooh!")
"See the light ram through the gaps in the land."
You near him on the motorway
And the tree begin to breathe.
Erase the race that claim the place
And say we dig for ore.
"See the light ram through the gaps in the land."
Dangle devils in a bottle
And push them from the Pull of the Bush.
"See the sun set in the hand of the man."

"Bang!" goes another kanga
On the bonnet of the van.
"See the light bounce off the rocks to the sand."
You find them in the road.
"See the light ram through the gaps in the land."
In the road.
"See the light."
("Push 'em from the")
Pull of the Bush.
"See the light bounce off the rocks to the sand."
("Push 'em from the")
Pull of the Bush.
"See the sun set in the hand of the man."


. . .

Dreamtime

[Нет текста]

. . .



Okay, remember.
Okay, remember
That we have just allowed
Half an hour
To get in, do it, and get out.

The sense of adventure
Is changing to danger.
The signal has been given.
I go in.
The crime begins.

My excitement
Turns into fright.

All my words fade.
What am I gonna say?
Mustn't give the game away.

We're waiting.
We're waiting.
We're waiting.

We got the job sussed.
This shop's shut for business.
The lookout has parked the car,
But kept the engine running.
Three beeps means trouble's coming.

I hope you remember
To treat the gelignite tenderly for me.
I'm having dreams about things
Not going right.
Let's leave in plenty of time tonight.

Both my partners
Act like actors:
You are Bogart,
He is George Raft,
That leaves Cagney and me.
("What about Edward G.?")

We're waiting.
We're waiting.
We're waiting.

You blow the safe up.
Then all I know is I wake up,
Covered in rubble. One of the rabble
Needs mummy.
("What's all this then?")
The government will never find the money.
("What's all this then?")

I've been here all day,
A star in strange ways.*
Apart from a photograph
They'll get nothing from me,
Not until they let me see my solicitor.

Ooh, I remember
That rich, windy weather
When you would carry me,
Pockets floating
In the breeze.

Ooh, there goes a tenner.
Hey, look! There's a fiver.
There's a ten-shilling note.
Remember them?

. . .


Written by Kate Bush

Je viens
Comme un chat
Par la nuit si noire.
Tu attends,
Et je tombe
Dans tes ailes blanches, la-la-la...
Et je vole,
Et je coule
Comme une plume.

Si les grands yeux de mon Dieu
Ne me gardaient pas,
Je te volerais

Ne t'enfuis pas!
Tu as des ailes,
Le pouvoir de me quitter.
Tu es tombe - You fell
Du ciel comme un ange, la-la-la
Et j'ai peur
Que le ciel
Te reprenne.

Si les grands yeux de mon Dieu
Ne me gardaient pas,
Je te volerais.

Je viens
Comme un chat
Par la nuit si noire.

Je t'en prie,
Je t'en prie,
Je t'en prie,
Je t'en prie,
Je t'en prie,
Je t'en prie--
Ne t'enfuis
Pas!


English Translation:
Don't Fly Away

I am coming
Like a cat
Through the night so black.
You are waiting,
And I fall
Into your white wings, la-la-la...
And I fly,
And I sink
Like a feather.

If the great eyes of my God
Were not watching (over) me,
I would steal you away.

Don't fly away!
You have wings,
The power to leave me.
You fell
From the sky like an angel, la-la-la
And I'm afraid
That the sky
Will take you back.

If the great eyes of my God
Weren't watching (over) me,
I would steal you away.

I am coming
Like a cat
Through the night so black.

I beg you,
I beg you,
I beg you,
I beg you,
I beg you,
I beg you--
Don't fly

. . .


Written by Kate Bush

Je viens
Comme un chat
Par la nuit si noire.
Tu attends,
Et je tombe
Dans tes ailes blanches, la-la-la...
Et je vole,
Et je coule
Comme une plume.

Si les grands yeux de mon Dieu
Ne me gardaient pas,
Je te volerais

Ne t'enfuis pas!
Tu as des ailes,
Le pouvoir de me quitter.
Tu es tombe - You fell
Du ciel comme un ange, la-la-la
Et j'ai peur
Que le ciel
Te reprenne.

Si les grands yeux de mon Dieu
Ne me gardaient pas,
Je te volerais.

Je viens
Comme un chat
Par la nuit si noire.

Je t'en prie,
Je t'en prie,
Je t'en prie,
Je t'en prie,
Je t'en prie,
Je t'en prie--
Ne t'enfuis
Pas!


English Translation:
Don't Fly Away

I am coming
Like a cat
Through the night so black.
You are waiting,
And I fall
Into your white wings, la-la-la...
And I fly,
And I sink
Like a feather.

If the great eyes of my God
Were not watching (over) me,
I would steal you away.

Don't fly away!
You have wings,
The power to leave me.
You fell
From the sky like an angel, la-la-la
And I'm afraid
That the sky
Will take you back.

If the great eyes of my God
Weren't watching (over) me,
I would steal you away.

I am coming
Like a cat
Through the night so black.

I beg you,
I beg you,
I beg you,
I beg you,
I beg you,
I beg you--
Don't fly

. . .


(French version of The Infant Kiss)
Written by Kate Bush

Je dis bonne nuit-nuit.
Je le borde dans le lit.
Mais ca ne va pas.

Qu'est-ce que c'est? Un baiser.
Ca me fait fremir.

Je n'ai jamais avant
Aimee un enfant
Sans controle.

Il n'est qu'un jeune, et a l'ecole.
Chez nous ils n'aimeront pas.
Sa petite main joue dans mon coeur,
Juste la ou ca fait mal.
Toc-toc. Qui est dans ce bebe?
Tu sais bien y faire.

Toutes les barrieres tombent.
Ca va se voir.
Ca se voit. Ca se voit. Ce se voit.

Je ne peux laisser faire
Je le regretterais.
Ouh, il m'effraie!.

Il y a un homme la dans les yeux.
Je le vois en me penchant.

Ouh, il me fait peur
Quand ils chuchotent entre eux.
-
Le vent souffle.

Sur leurs levres des caresses
Qui parlent de l'amour.

Je veux frapper, je me retiens.
Je veux juste toucher.

Je dois rester et arreter
Tout ca avant qu'il soit trop tard!

Toutes les barrieres tombent.
Ca va ce voir.
Ca se voit. Ca se voit. Ca se voit,

. . .


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